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Pulp magazines became popular
just before the first world war. Originally began as
"Dime Novels," another cheap publication focused
mostly toward young boys and girls. Frank
A. Munsey turned his dime novel publication - GOLDEN
ARGOSY into the new form of "Pulp" magazine.
This change included a larger page count, full color covers and
a focus on an older audience. The paper used was
inexpensive newsprint or pulp paper, hence the term. To
view a list of PUBLISHERS click
here. To view a list of AUTHORS
click here.
Street & Smith made the near
complete switch to pulps when they re-titled their Dime Novel - Nick
Carter Weekly into DETECTIVE STORY MAGAZINE. An almost
direct link from that was THE SHADOW,
when Street & Smith sponsored a radio program with
stories being adapted from Detective Story and hosted by
someone known only as "The Shadow." Confused
listeners enjoyed the program but they asked for copies of
The Shadow magazine when they visited their newsstands.
Not to miss an opportunity, Street
& Smith quickly assigned an editor (John Nanovic)
and found a young writer (Walter
Gibson) and THE SHADOW was born.
Between World War I and World War II, the pulps became
one of the dominate forces in popular culture. Just after
World War I, the pulp magazine industry started to
flourish. Most titles sold for 20¢ or 25¢ and
included nearly 200 pages of content. Most magazines
had a major focus in regards to genre, but those titles
were still fairly broad in their content. Sports,
Detectives, Adventures, Westerns and Love pulp titles were
the norm. With a small handful of new publishers
crashing the scene, in the mid-20's, those publishers
needed to make new customers and introduced more focused
magazines like, science fiction, gang and aviation.
With the stock market crash in 1929, the pulp industry
almost crashed as well. Those publishers who were
nimble enough and willing to gamble on cutting their word
rates, page counts and slash the prices of their magazines
to 10¢ flourished. All those who couldn't died.
Those who stuck it out started a new golden age of pulp
magazines in the early 30's that lasted almost the entire
decade. The 40's saw world crisis take center stage
and the pulps started to fade. Post World War II and
the advent of more entertainment choices spelled doom for
the pulp magazines and publishers began to leave the pulp
industry for paperbacks, slick magazines and even comics.
Magazines and writers came and went by the score. Some
key magazines that came into being included: (they are not
in any particular order)
- Black Mask (detective magazine later known as the
home of Hardboiled fiction)
- Weird Tales (horror, fantasy and some science
fiction, later known as the home of Conan the
Barbarian)
- Detective Story Magazine (the first detective
fiction magazine began in 1915)
- Amazing Stories (credited as being the first science
fiction magazine)
- The Shadow (credited as being
the first and one of the most important
"Hero" pulp characters)
- The Phantom Detective (the second detective
character pulp, following closely on the heals of The
Shadow and the longest running hero pulp character
1931 - 1953)
- Ranch Romances (one of the longest running pulp
publications - beginning in 1924 and ceasing
publication in 1964)
- Argosy (also known as Argosy All-Story and even
All-Story, although All-Story was a separate magazine
that combined with Argosy. These magazines brought us
Tarzan, Zorro, Dr. Kildare and much, much more.)
- Doc Savage (the second of hero pulps published by
Street & Smith)
- The Spider (the first hero pulp tried by what would
be the largest publisher of pulps - Popular
Publications)
- G-8 and His Battle Aces (the second hero created by
Popular Publications - the first as an W.W.I spy and
aviator)
- Dime Detective Magazine (Popular Publications first
true hit with the public and credited with saving the
fledgling publishing house)
- Dime Mystery Magazine (the first "weird
menace" magazine that started a trend that most
every publisher except for Street & Smith tried.
The magazine centered around horror and what could be
called sadistic covers and stories - highly collected
today for their ghoulish and garish covers)
- Underworld (credited as the first
"gangster" pulp. Later published by the king
of gangster pulp publishers Harold
Hersey who also gave the public Racketeer Stories,
Gangster Stories, Gangland Stories, Greater Gangster
Stories, Speakeasy Stories, Mobs, Dragnet, Detective
Dragnet, Courtroom Stories and more)
- Western Story Magazine (credited as the first dime
novel to pulp western stories fiction weekly)
Some notable publishers:
- Street & Smith Publications
- Popular Publications
- Frank A. Munsey Company
- Clayton Group
- Thrilling Group
- Culture Publications
- Gernsback
- Pro-Distributors
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Some notable authors and some of
their most notable characters:
- Edgar Rice Burroughs - Tarzan
and John Carter of Mars
- Dashiell Hammett - Sam Spade and The Thin Man
- Walter Gibson - The
Shadow
- Max Brand
- Johnston McCulley - Zorro
- Robert E. Howard - Conan
- Lester Dent - Doc
Savage
- Raymond Chandler - Phillip Marlowe
- Louis L'Amour - Hondo
- Norvell Page - The Spider
- Robert J. Hogan - G-8
- Ray Bradbury
- Arthur C. Clarke
- John D. MacDonald
- Carroll John Daly - Race Williams
- Robert Leslie Bellem - Dan Turner
- Luke Short
- H.P. Lovecraft
- Isaac Asimov
- Cornell Woolrich
- George F. Worts - Singapore Sammy and Peter the
Brazen
- George Bruce
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These are not complete lists by any stretch of the
imagination. Just a sample to show that when critics of
the pulps condemn them all to the slag heap of poor
fiction, they are just being prejudiced. True, cover art
on quite a few pulp magazines went to the extreme. Purple
prose was the dominate form of scripting. Strong action,
vivid covers, low pay, cheap paper was the driving force
behind the pulps. Yet some magazines, characters, authors
and publishers still survive today.
As paperbacks and comics took over each end of the
spectrum that the pulps served, the industry saw a
decline. Yet if you could define the "heyday" of
the pulps, you would have to proclaim the 30's as the
"pulp 30's." The majority of the magazines
published found their way onto the newsstands and into
millions of homes during that turbulent time. From
depression through the start of World War II, the pulps
helped millions escape from their troubled lives.
John P. Gunnison
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Copyright © 2004 Adventure
House. All rights reserved.
Revised:
July 10, 2008
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Hero
Pulps

© 1934 Phantom
Detective Inc.
Detective Pulps

© 1933 The Berryman
Press, Inc.
Aviation Pulps

© 1931 Popular
Publications, Inc.
Western Pulps

© 1937 Street &
Smith Publications
Love Pulps

© 1949 Columbia Publications, Inc.
Science Fiction
Pulps

© 1934 Popular
Fiction Publishing Co.
Sports Pulps

© 1937 Popular
Publications, Inc.
Gangster Pulps

© 1927 Thomas J. Wood
Adventure Pulps

Weird Menace Pulps

© 1937 Popular Publications, Inc.
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